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supported by 5 fans who also own “Loose Ends”
this album burns through like a prairie fire - once it begins, you can do nothing to stop it save dig the trenches that define the beginning and the end of the forest. the vocals ring out and stab like the bastard child of a snarling david yow and a contemplating michael stipe: the instrumentation is big and bold, equal measures desperation and bravado. from the first bombastic cymbal crash of "in love. in glasgow" to the galloping last stand of the title track, this record sticks to your bones.
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supported by 4 fans who also own “Loose Ends”
Withershins' sophomore LP. Songs about sex, drugs, the city, and all that shit in-between.
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supported by 4 fans who also own “Loose Ends”
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Where the Heart Is
by Sweet Pill
A confident blend of emo, pop, and hardcore from the rising Philadelphia band, featuring introspective lyrics and churning melodies.
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Rising Philadelphia band balance oversized pop punk hooks with vivid, intimate lyrics, presenting a raw, honest vision of guitar music.
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Red Hot & Holy
by Sarah & the Safe Word
This Atlanta group have a unique take on Americana, bridging queer cabaret culture of the 1920s and '30s with punchy contemporary rock.
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supported by 4 fans who also own “Loose Ends”
I saw them play last week. They reminded me of the band Sarge. I dunno if this was before or after I learned they were both from Champaign.
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